Essayez de ne pas rire dfi

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Essayez de ne pas rire dfi

To adapt it to the wants of young persons of either sex, it has not been thought sufficient merely to exclude from it every thing of an exceptionable character; pains have also been taken to select pieces which, while they reward the efforts of the student, by imparting valuable instruction or innocent amusement, are at the same time intended to inculcate, in an agreeable manner, those moral lessons so indispensable for the formation of the youthful mind.

The broad field of classic French literature is rich in materia: Each piece in the book presents a subject complete in itself.

The unrivalled excellence of Moliere's dramas and the perfect models of familiar conversational lan. La Fontaine's fables are too well known to need commendation.

Their uniform excellence has rendered the task of selecting from them a matter of no small difficulty to the compiler. The names of FntElon, Bossuet, Racine, Montesquieu, Florian, Marmontel, and of Chateaubriand, La Mennais, Thierry, B6ranger, De Jouy, Scribe, and many others of scarcely inferior note, whose writings have contributed to form the present work, will be at once a justification of its claim to rank as a classical production, and a guarantee for the superior merit and excellency of its contents.

The particular arrangement of " The Classic French Reader," with a view to its adoption as a school-book, merits a passing notice.

The publication in this country of "Ollendorff's New Method of Learning French," very soon created a demani for a French reading-book differing in its arrangement from any one previously in use. A very marked feature of Ollendorff's Method -and one which has contributed not a little to commend it to public favor - is, that it wholly dispenses with the use of a dictionary, thereby shortening the process of rnstruction by a great economy of time, and freeing the student from what had generally proved the most dis.

As a result of' the adop. It was therefore requisite that a reading-book to accompany Ollendorff's Grammar should, as far as the nature of the case would admit, preserve in its arrangement something of the adaptation to its object which had rendered the latter work so acceptable to students.

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As an elementary Reading-book for beginners, the Publishers accordingly made choice of the "Introduction to the French Language," by M. The "Introduction," like the "New Method," is progressive in the order of its lessons.

The utility of the "Introduction," and its adaptation to the wants of learners, have now been tested by experience. The principles which should goverL in the compilation of a book for advanced students are therefore sufficiently demonstrated.

The "Vocabulary," therefore, while it embraces and defines every word used in the book, not only in its particular acceptation, but in its primary significance, contains only the infinitive mood and the participles of the verbs.

The occasional notes running through the work, designed to illustrate historical, geographical, and grammatical points, will be found of essential service in elucidating the text. The short biographical sketches of the most distinguished French writers will be read with interest, and be found to contribute not a little to the interesting outline of the language and literature of France, which it is one of the objects of "The Classic French Reader" to supply.

The learner cannot be too earnestly urged to aim at a full and thorough mastery of all the pieces contained in this work, even at the cost of repeated reading and prolonged study.

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A little resolute application to attain familiarity with the great variety of style and diversity of expression it affords, will contribute more to an available knowledge of the French language than years spent in careless and desultory reading, and will leave few obstacles to be overcome by the student in his subsequent course.

As a convenient and compendious manual for students, combining, in some measure, the advantages of a reading-book, lexicon, and grammar, - and thus containing within itself the means for its own interpretation, -the work is kindly commended to the favor of all who are interested in the language and literature of France.

Abri'ge des Aventures de Don QL;chotte. Voltaire Rome et Carthage Ce jeune homme, dit le roi, a perdu la tete, ou il lit don Quichotte. Le monarque avait devine juste; c'etait don Quichotte que lisait l'etudiant, et il n'etait fobu que de plaisir.

Du caractkre et des occupations de don Quicihotte de la Mlanche. DANS un village de la Manche, vivait, il n'y a pas long temps, un de ces gentilshommes qui ont une vieille lance, une rondache rouillee, un cheval maigre, et un levrier.

Un bouilli, plus souvent de vache que de mouton, une vinaigrette le soir, des ceufs frits le samedi, le vendredi des lentilles, et quelquelques pigeonneaux de surplus le dimanche, emportaient les trois quarts de son revenu.

Le reste payait sa casaque de drap fin pour les jours de f6te, et l'habit de gros drap pour les jours ouvriers. Sa maison etait composee d'une gouvernante de plus de quarante ans, d'une niece qui n'en avait pas vingt, et d'un valet qui faisait le service de la maison, de l'6curie, travaillait aux champs et taillait la vigne.

L'age de notre gentilhomme approchait de cinquante ans. I1 etait vigoureux, robuste, d'un corps sec, d'un visage maigre, tres matineux, et grand chasseur. On pretend qu'il avait le surnom de Quixada ou Quesada. Les auteurs varient sur ce point.Google Images.

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Win Big - Try it Now! Angel, ne vous mettez pas au régime. Try to start this diet before beginning treatment.

Essayez de ne pas rire dfi

Essayez de commencer le régime avant de débuter le traitement. That is, I always called Josephine I still have 30 years and tonight I start a diet. Voilà, je m'appelle toujours Joséphine, j'ai toujours 30 ans et ce soir, je commence un régime. "J'ai un problème" is a French language song, a duet by Sylvie Vartan and Johnny Hallyday.

However, the single cover credited a shortened version of their name as Sylvie & Johnny. However, the single cover credited a shortened version of their name as Sylvie & Johnny.

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